Transición del concepto de telenovela a serie televisiva : identificación de nuevos lenguajes y formatos narrativos en la televisión colombiana
| dc.contributor.advisor | Renó Porto, Denis | |
| dc.contributor.coadvisor | Rivera Betancur, Jerónimo | |
| dc.creator | Bejarano Bejarano , Yenny Paola | |
| dc.date.accessioned | 2024-11-19T20:12:18Z | |
| dc.date.available | 2024-11-19T20:12:18Z | |
| dc.date.issued | 2024 | |
| dc.description.abstract | La telenovela es uno de los productos culturales de mayor exportación e impacto en Colombia. En ellas se ha logrado retratar las costumbres y contribuir a la construcción de la identidad de los colombianos en la medida que refleja sus conflictos, dramas y situaciones a través de la pantalla chica. Entonces, el presente trabajo se propone ofrecer un estudio de las telenovelas colombianas y un análisis del concepto, desarrollo y contribución a la idea de lo que significaser colombiano. Hay que partir del hecho de que las forma cómo se han representado los sectores populares llevó a la creación de un discurso que logrógenerar una narrativa nacional a partir de la cual se crearon elementos de identidad. Esta idea de identidad desde la telenovela se hizo fuerte en la década de los años 80 y 90, momento en el que mayor difusión empezaron a tener las producciones de este tipo en el país. En la televisión se visibilizaba el drama, la pasión, los traumas, el odio, el amor, todo, casi siempre con un aire de comedía en el que se mostraba un humor que, pronto, se empezó a asociar como único y especial: el humor colombiano. Así, el estudio busca identificar los nuevos lenguajes y formatos narrativos de la televisión colombiana en la actualidad para entender el proceso y desarrollo que tuvo la telenovela en el país, a partir de una reconstrucción histórica y una lectura de la actualidad, desde una perspectiva teórica y con la entrevista como recurso metodológico. | |
| dc.description.abstract | Soap Opera is one of the cultural products with the greatest exportation and impact in Colombia. In them, it has been possible to portray the customs and contribute to the construction of the identity of Colombians to the extent that it reflects their conflicts, dramas and situations through the small screen. Therefore, this paper aims to offer a study of Colombian soap operas and an analysis of the concept, development and contribution to the idea of what it means to be Colombian. We must start from the fact that the ways in which the popular sectors have been represented led to the creation of a discourse that will generate a national narrative from which elements of identity were created. This idea of identity from the telenovela became strong in the decade of the 80s and 90s, a moment in which productions of this type emerged in the country with greater diffusion. On television drama, passion, traumas, hate, love, everything, almost always with an air of comedy in which a humor was shown that soon began to be associated as unique and special: the Colombian humour. Thus, the study seeks to identify the new languages and narrative formats of Colombian television today in order to understand the process and development that the telenovela had in the country, based on a historical reconstruction and a reading of the present, from a theoretical perspective. and with the interview as a methodological resource. | |
| dc.description.fil | Fil: Bejarano Bejarano, Yenny Paola. Universidad Nacional de Rosario. Facultad de Ciencia Política y Relaciones Internacionales; Argentina. | |
| dc.identifier.uri | https://hdl.handle.net/2133/28166 | |
| dc.language.iso | es | |
| dc.publisher | Facultad de Ciencia Política y Relaciones Internacionales | |
| dc.rights | openAccess | |
| dc.rights.holder | Autora y Facultad de Ciencia Política y Relaciones Internacionales | |
| dc.rights.text | Attribution-NonCommercial-ShareAlike 4.0 International You are free to: Share — copy and redistribute the material in any medium or format Adapt — remix, transform, and build upon the material The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms: Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. NonCommercial — You may not use the material for commercial purposes . ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits. Notices: You do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation . No warranties are given. The license may not give you all of the permissions necessary for your intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material. | |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-sa/4.0/ | |
| dc.subject | Telenovelas | |
| dc.subject | Colombia | |
| dc.subject | Televisión | |
| dc.subject | Series | |
| dc.subject | Lenguajes narrativos | |
| dc.title | Transición del concepto de telenovela a serie televisiva : identificación de nuevos lenguajes y formatos narrativos en la televisión colombiana | |
| dc.type | tesis | |
| dc.type.collection | tesis | |
| dc.type.other | tesis de maestria | |
| dc.type.version | acceptedVersion |