Trayectorias editoriales inversas: escritores argentinos de narrativa entre fines del siglo XX y comienzos del siglo XXI
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Universidad Nacional de Rosario. Facultad de Humanidades y Artes. Centro de Estudios de Teoría y Crítica Literaria
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A fines del siglo XX y comienzos del siglo XXI el campo editorial argentino se polariza entre las editoriales transnacionales y las autodenominadas independientes. ¿Cómo se traducen estas modificaciones en las prácticas de publicación de los escritores? Reconstruyo las trayectorias editoriales de escritores de ficción argentinos que comenzaron sus carreras en las décadas de los años ochenta y noventa del siglo XX y principios del siglo XXI para indagar en sus vínculos con editoriales así como en las maneras en que aquellas son instancias de formación del valor literario. Encuentro trayectorias editoriales inversas: en distintos momentos de sus trayectoriaslos escritores coinciden en los catálogos de las editoriales autodenominadas independientes. Las relaciones escritor-editorial no son de exclusividad y las editoriales autodenominadas independientes son espacios valorados en un contexto de transformaciones de las editoriales como instancias de transmisión de prestigio y de la conformación del valor de lo literario.
In Argentina during the 90s and 80s of the 20th century and the first years of the 21st century the field of publishing is polarized between transnational publishing houses and self-proclaimed independent ones. How are these transformations translated into publishing practices? I build the publishing trajectories of Argentinian writers, dedicated to literature, whose careers have begun in the 80s and 90s of the 20th Century and in the 21st Century to analyse their links with publishing houses and the ways literary value is created. I have found reverse publishing trajectories: in different stages of their careers writers coincide in the catalogues of publishing houses self-proclaimed independent. Exclusive rights in the author-publisher relationship cannot be identified, and self-proclaimed independent publishers are valued by writers against a background of transformations in the ways prestige is transmitted and in the ways values are created.
In Argentina during the 90s and 80s of the 20th century and the first years of the 21st century the field of publishing is polarized between transnational publishing houses and self-proclaimed independent ones. How are these transformations translated into publishing practices? I build the publishing trajectories of Argentinian writers, dedicated to literature, whose careers have begun in the 80s and 90s of the 20th Century and in the 21st Century to analyse their links with publishing houses and the ways literary value is created. I have found reverse publishing trajectories: in different stages of their careers writers coincide in the catalogues of publishing houses self-proclaimed independent. Exclusive rights in the author-publisher relationship cannot be identified, and self-proclaimed independent publishers are valued by writers against a background of transformations in the ways prestige is transmitted and in the ways values are created.
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