2666: hedonismo narrativo para contener el caos
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Universidad Nacional de Rosario. Facultad de Humanidades y Artes. Centro de Estudios de Teoría y Crítica Literaria.
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El presente artículo revisa la novela 2666de Roberto Bolaño desde un enfoque hermenéutico, y presta especial atención a las decisiones formales del autor. La estructuración general de la novela, en cinco partes separadas en el plano de la edición pero fuertemente interconectadas en los planos temático y formal, obligan al diálogo crítico entre las mismas. Al analizar tres recursos empleados por el autor en su escritura y cruzarlos con las isotopías presentes en la obra, se logra poner en evidencia un sistema narrativo eficaz que refleja la condición filogenética del objeto literario, así como la simbiosis de lo estético con lo ético.
This article reviews Roberto Bolaño’s novel 2666from a hermeneutical approach and gives special attention to the author’s formal decisions. The extension of the novel and its overall structure into five parts, separated in terms of editing but strongly interconnected thematicallyand in form, require acritical dialogue between them. Analysis of three resources used by the author in his writing(blocks of narrative, time management, character system) and its connection with the isotopies present in the work reveals aneffective narrative system that reflects the phylogenetic condition of the literary object as well as the symbiosis of aesthetics andethics.
This article reviews Roberto Bolaño’s novel 2666from a hermeneutical approach and gives special attention to the author’s formal decisions. The extension of the novel and its overall structure into five parts, separated in terms of editing but strongly interconnected thematicallyand in form, require acritical dialogue between them. Analysis of three resources used by the author in his writing(blocks of narrative, time management, character system) and its connection with the isotopies present in the work reveals aneffective narrative system that reflects the phylogenetic condition of the literary object as well as the symbiosis of aesthetics andethics.
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