Piezas de arte tradicional a través de pantallas
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Fecha
2014
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UNR Editora
Resumen
[es] El objetivo de este artículo es reflexionar sobre la producción
de sentido al contemplar una obra de arte desde un espacio físico y a través de una pantalla. Esta problemática será
analizada a partir de la pérdida de materialidad en un tipo
de producción tradicional que se conforma como imagen
digital, y le permite ser reproducida a través del dispositivo
mencionado.
Se trata de señalar, cómo el arte de caballete u objetual se
conforma como un nuevo producto artístico a causa de las
lógicas que plantea la digitalización.
[en] The aim of this ar ticle is to think about the production of meaning in the contemplation of a work of art in a physical space and on-screen displays. These difficulties will be analyzed from the loss of materiality in a traditional like production that is defined as a digital image and allows itself to be reproduced on-screen. The aim is to point at how the easel or object ar t is confor-med as a new ar tistic product that results from the logics of digitalization
[en] The aim of this ar ticle is to think about the production of meaning in the contemplation of a work of art in a physical space and on-screen displays. These difficulties will be analyzed from the loss of materiality in a traditional like production that is defined as a digital image and allows itself to be reproduced on-screen. The aim is to point at how the easel or object ar t is confor-med as a new ar tistic product that results from the logics of digitalization
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Palabras clave
Arte, Digitalización, Materiales, Art, Digitalization, Materials