La lectura de Oesterheld antes y después del retorno democrático
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Descripción
Este trabajo se propone dar a conocer resultados específicos
de una investigación académica sobre recepción de historietas.
Realizamos una aproximación a las lecturas hechas
por distintas generaciones de lectores, de la obra de Héctor
Germán Oesterheld, en particular de El Eternauta, trabajo
que se destaca de su primera etapa de producción.
Estudiamos los procesos por los cuales los sujetos construyen
sentido en recepción, poniendo en relación sus lecturas
con una serie de factores: sus posiciones en la estructura
social y los contextos de sus vidas cotidianas –pertenencia
a distintas generaciones, biografías y trayectos culturales,
cambios editoriales, y estados de los campos histórico y
político.
A partir de algunas hipótesis de trabajo que orientaron la
investigación y de las inferencias analítico/interpretativas
posteriores, delineamos dos conclusiones centrales:
a) Las interpretaciones de El Eternauta se caracterizan
por presentar marcas significativas de ciertas condiciones
de recepción relacionadas con los discursos hegemónicos
actuales sobre Oesterheld y su obra, no sólo en las nuevas
generaciones de lectores sino también en lectores de etapas
anteriores.
b) Existe una estrecha relación entre el proceso de consagración
y canonización del autor y de parte de su obra y una
significativa presencia de sentidos vinculados a la contemporaneidad
política y social, manifestada en la recepción de
su título más reconocido.
The purpose of this article is to expose specific results of an academic research on comics consumption. We study the reception of Héctor Germán Oestherld’s comics, especially his first production period in which El Eternauta stands out above the rest. We study the processes in which the meaning is produced by the readers. We relate their readings with several factors: the reader and its life history, environment and circumstances (belonging to different generations, individual cultural life, the changes in the comics production, beyond a national editorial field in particular). Also, we propose two conclusions based on some working hypotheses and the subsequent analytical and interpretive work research: a) The readings of El Eternauta show signs of certain condition related to current hegemonic discourses about Oesterheld and his work, not only in the new generations of readers but also in old readers. b) Our analysis suggests that there is a close relationship between the process of canonization and consecration of Oesterheld and a significant presence of senses related with the current political and social reality, manifested in the consumption of their most recognized comic
The purpose of this article is to expose specific results of an academic research on comics consumption. We study the reception of Héctor Germán Oestherld’s comics, especially his first production period in which El Eternauta stands out above the rest. We study the processes in which the meaning is produced by the readers. We relate their readings with several factors: the reader and its life history, environment and circumstances (belonging to different generations, individual cultural life, the changes in the comics production, beyond a national editorial field in particular). Also, we propose two conclusions based on some working hypotheses and the subsequent analytical and interpretive work research: a) The readings of El Eternauta show signs of certain condition related to current hegemonic discourses about Oesterheld and his work, not only in the new generations of readers but also in old readers. b) Our analysis suggests that there is a close relationship between the process of canonization and consecration of Oesterheld and a significant presence of senses related with the current political and social reality, manifested in the consumption of their most recognized comic