Tramas artísticas del exilio sexual, entre Brasil y Argentina
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Universidad Nacional de Rosario. Facultad de Humanidades y Artes. Centro de Estudios de Teoría y Crítica Literaria.
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Este trabajo se propone repensar el concepto de exilio sexual, legado por Néstor Perlongher, en la vida de artistas cuyo disenso no es sólo político (respecto a regímenes autoritarios) sino estructural contra una hegemonía de cuerpos forzados a vivir según la heteronorma. Se hará un foco particular en las experiencias de sobrevida marica durante los años 1976-1983 para delinear una cartografía provisoria que visibilice los modos de resistencia de personas vinculadas a producciones contestatarias del régimen sexopolítico imperante. Visibilizando agenciamientos silenciosos de preservación individual y colectiva durante el Terrorismo de Estado (y haciendo un recorte en las experiencias de vida desarrolladas entre Brasil y Argentina) intentaremos buscar respuestas a la pregunta: ¿es posible exiliarse de la sexopolítica?
This article aims to rethink the concept of “sexual exile”, coined by Néstor Perlongher, as an approach to the lives of artists whose dissent has been not only political (regarding authoritarian regimes) but structural against an hegemony of bodies forced to live according to heteronormative domination. To do so, we will focus particularly on the experiences of queer survival during the years 1976-1983 in order to outline a provisional cartography that makes visible the resistance strategies displayed by artists whose productions contested the prevailing sexual regime. Focusing on these silent forms of agency for individual and collective preservation during State Terrorism (developed specifically between Brazil and Argentina) we will try to find answers to the question: Is it possible to exile oneself from sexual politics?
This article aims to rethink the concept of “sexual exile”, coined by Néstor Perlongher, as an approach to the lives of artists whose dissent has been not only political (regarding authoritarian regimes) but structural against an hegemony of bodies forced to live according to heteronormative domination. To do so, we will focus particularly on the experiences of queer survival during the years 1976-1983 in order to outline a provisional cartography that makes visible the resistance strategies displayed by artists whose productions contested the prevailing sexual regime. Focusing on these silent forms of agency for individual and collective preservation during State Terrorism (developed specifically between Brazil and Argentina) we will try to find answers to the question: Is it possible to exile oneself from sexual politics?
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