Sosteniendo el barco contra viento y marea – O papel de editoras independentes para a circulação de obras literárias na América Latina: o caso da editora argentina Final Abierto
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Universidad Nacional de Rosario. Facultad de Humanidades y Artes. Centro de Estudios de Teoría y Crítica Literaria
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O texto discute a importância de editoras independentes para a circulação de obras literárias na América Latina, considerando a categoria “independente” como polissêmica e enfocando a multiplicação de pequenas editoras na Argentina vinculada a um movimentosocial específico, no qual a crise do mercado editorial somou-se à crise econômica e política desde 2001 e ocasionou a proliferação de editoras independentes respaldadas em projetos culturais de âmbito coletivo, cuja tônica principal foi a busca de saídaspara a crise por meio de estratégias de resistência cultural. O trabalho centra-se no caso da editora argentina Final Abierto. Com 13 anos de existência, a editora assume como norte a tarefa de superar a fronteira nacional argentina, publicando e fazendo circular produções ficcionais e não ficcionais de autores de distintos países de América Latina. Assim, pretende-se refletir sobre as estratégias utilizadas pela editora independente para a publicação e circulação das obras literárias que constam de seu catálogo, em sua atuação como força de resistência cultural em um panorama editorial.
The text discusses the importance of independent publishers for the circulation of literary works in Latin America, considering the "independent" category as polysemic and focusing on the multiplication of small publishers in Argentina linked to a specific social movement, in which the crisis of the publishing market added It has led to the economic and political crisis since 2001 and has led to the emergence of independent publishers backed by collective cultural projects whose main focus was the search for solutions to the crisis through strategies of cultural resistance. The paper focuses on the case of the Argentine publisher Final Abierto. With 13 years of existence, the publishing house assumes the task of surpassing the Argentine national border, publishing and circulating fictional and nonfiction productions of authors from different Latin American countries. Thus, it is intended to reflect on the strategies used by the independent publisher for the publication and circulation of the literary works that appear in its catalog, in its performance as a force of cultural resistance in an editorial panorama.
The text discusses the importance of independent publishers for the circulation of literary works in Latin America, considering the "independent" category as polysemic and focusing on the multiplication of small publishers in Argentina linked to a specific social movement, in which the crisis of the publishing market added It has led to the economic and political crisis since 2001 and has led to the emergence of independent publishers backed by collective cultural projects whose main focus was the search for solutions to the crisis through strategies of cultural resistance. The paper focuses on the case of the Argentine publisher Final Abierto. With 13 years of existence, the publishing house assumes the task of surpassing the Argentine national border, publishing and circulating fictional and nonfiction productions of authors from different Latin American countries. Thus, it is intended to reflect on the strategies used by the independent publisher for the publication and circulation of the literary works that appear in its catalog, in its performance as a force of cultural resistance in an editorial panorama.
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