Pañuelos en el activismo callejero. Políticas de aparición y protestas sociales feministas
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Humanidades de la Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades
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En este artículo nos proponemos reflexionar acerca de las posibles vinculaciones
entre estética y política, a partir de analizar las protestas sociales del movimiento
feminista en la ciudad de Rosario y las distintas políticas de aparición que allí se
configuran. Para ello, nos propondremos analizar los recursos expresivos que
conforman las protestas sociales como prácticas estéticas, como acciones que se reiteran
y se actualizan y como dispositivos que cargan un determinado saber social que se
transfiere. Nos detendremos, específicamente, en el pañuelo verde como un recurso
estético con centralidad dentro del herramental de los feminismos. En primera medida,
reconstruimos brevemente la trayectoria de los pañuelos como recurso estético político
sobre el cual distintas tradiciones de lucha han ensayado su activismo callejero.
Seguidamente, centramos la mirada en las modulaciones del pañuelo verde y en
establecer los encadenamientos que permiten comprender su itinerario, su uso, su
capacidad expresiva y la constitución de un territorio de entendimiento común dentro
del movimiento feminista.
In this article we propose to reflect on the possible links between aesthetics and politics, based on an analysis of the social protests of the feminist movement in the Argentinian city of Rosario and the different politics of appearance that are configured there. In order to do so, we propose to analyze the expressive resources that make up social protests as aesthetic practices, as actions that are reiterated and updated, and as devices that carry a certain social knowledge that is transferred. Specifically, we will focus on the green scarf as a key aesthetic resource of feminism’s toolbox. In the first place, we briefly reconstruct the trajectory of the handkerchiefs as an aesthetic political resource on which different traditions of struggle have rehearsed their street activism. Next, we focus on the modulations of the green handkerchief and on establishing the chains that allow us to understand its itinerary, its use, its expressive capacity and the constitution of a territory of common understanding within the feminist movement. Translated with www.DeepL.com/Translator (free version) ability, and the constitution of common understanding territory in the feminist movement.
In this article we propose to reflect on the possible links between aesthetics and politics, based on an analysis of the social protests of the feminist movement in the Argentinian city of Rosario and the different politics of appearance that are configured there. In order to do so, we propose to analyze the expressive resources that make up social protests as aesthetic practices, as actions that are reiterated and updated, and as devices that carry a certain social knowledge that is transferred. Specifically, we will focus on the green scarf as a key aesthetic resource of feminism’s toolbox. In the first place, we briefly reconstruct the trajectory of the handkerchiefs as an aesthetic political resource on which different traditions of struggle have rehearsed their street activism. Next, we focus on the modulations of the green handkerchief and on establishing the chains that allow us to understand its itinerary, its use, its expressive capacity and the constitution of a territory of common understanding within the feminist movement. Translated with www.DeepL.com/Translator (free version) ability, and the constitution of common understanding territory in the feminist movement.
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