El pensamiento, el juego y lo terrible de la escritura
Fecha
2021-08-23
Autores
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Editor
Universidad Nacional de Rosario. Facultad de Humanidades y Artes. Centro de Estudios de Teoría y Crítica Literaria
Resumen
Descripción
Este artículo vuelve sobre la relación entre pensamiento, juego y
escritura. Se parte de la reflexión en torno al aparente contraste entre la
inocencia del juego poético y la peligrosidad del lenguaje, para interrogar dos
consideraciones que, aunque íntimamente relacionadas, suelen formularse
de modo diferente: por un lado, la poesía como una actividad inocente que
se despliega en el ámbito de lo peligroso; por otro, la escritura como un juego
vano en el que se pone en juego algo terrible. La poesía es abordada como un
logos excéntrico, que se resiste al devenir-razón de la palabra. Se aborda la
pregunta acerca de la relación entre el arte y la seriedad de la vida. Por
último, se ensaya una consideración acerca del tiempo del juego en la poesía,
o incluso, del tiempo considerado como juego.
This article reflects upon the relationship between thinking, playing and writing. It starts from the reflection around the apparent contrast between the innocence of the poetic game and the dangerousness of language, to interrogate two considerations that, although closely related, are usually formulated differently: on the one hand, poetry as an innocent activity that is unfolds in the realm of the dangerous; on the other, writing as a vain game in which something terrible is put into play. Poetry is approached as an eccentric logos, which resists the becoming-reason of the word. The question about the relationship between art and the seriousness of life is addressed. Finally, it proposes a consideration about the time of the game in poetry, or even, of the time considered as game.
This article reflects upon the relationship between thinking, playing and writing. It starts from the reflection around the apparent contrast between the innocence of the poetic game and the dangerousness of language, to interrogate two considerations that, although closely related, are usually formulated differently: on the one hand, poetry as an innocent activity that is unfolds in the realm of the dangerous; on the other, writing as a vain game in which something terrible is put into play. Poetry is approached as an eccentric logos, which resists the becoming-reason of the word. The question about the relationship between art and the seriousness of life is addressed. Finally, it proposes a consideration about the time of the game in poetry, or even, of the time considered as game.
Palabras clave
Escritura, Juego, Filosofía, Lo terrible, Poesía