Negritud y servidumbre en Atar-Gull de Lucio V. Mansilla
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Universidad Nacional de Rosario. Facultad de Humanidades y Artes. Escuela de Letras
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El 19 de mayo de 1864 la
compañía de José García Delgado interpreta en el Teatro Victoria la obra AtarGull o Una venganza africana escrita por
Lucio V. Mansilla en 1855. Esta no ha
sido casi abordada por la crítica literaria.
Cuando se lo ha hecho se ha pensado
como un antecedente en el surgimiento
del teatro nacional (cf Rodriguez, Seibel) o bien se ha enfatizado la figura del
esclavo para pensar la pieza en relación
con la obra de Eugene Sue (de la que
Mansilla toma el personaje) y para leer
una crítica al imperialismo inglés similar
a la que han caracterizado los primeros
escritos del autor (Gasquet). El presente
abordaje pretende analizar con detenimiento la pieza y para ello propone
hacer foco en la relación de la negritud
con la servidumbre. Sin restarle centralidad al primer aspecto pero sumando
los aportes que supone dar cuenta de
los diferentes énfasis, nos proponemos
analizar la descripción y modos de
aparición de la negritud en Atar-Gull de
Mansilla en el contexto de otras
representaciones de la afroargentinidad
en la literatura argentina, particularmente de su relación con el poder rosista.
On May 19, 1864, the company of José García Delgado interpretted the work Atar-Gull or An African Revenge written by Lucio V. Mansilla in 1855. The literary criticism has paid little attention on it. When it has been readean it has been thought of as an antecedent in the emergence of the nationnal theater (cf Rodriguez, Seibel) or the figure of the slave has been emphasized to think the piece in relation to the work of Eugene Sue (of which Mansilla takes the character) and to read a critique to the English imperialism (Gasquet). The present approach aims to analyze the piece carefully and for this purpose proposes to focus on the relationship of blackness with servitude. Without subtracting centrality to the first aspect but adding the contributions involved in accountting for the different emphases, we propose to analyze the description and modes of appearance of blackness in Atar-Gull de Mansilla in the context of other representations of Afro-Argentineanity in Argentine literature, particularly of its relationship with the power of Rosas.
On May 19, 1864, the company of José García Delgado interpretted the work Atar-Gull or An African Revenge written by Lucio V. Mansilla in 1855. The literary criticism has paid little attention on it. When it has been readean it has been thought of as an antecedent in the emergence of the nationnal theater (cf Rodriguez, Seibel) or the figure of the slave has been emphasized to think the piece in relation to the work of Eugene Sue (of which Mansilla takes the character) and to read a critique to the English imperialism (Gasquet). The present approach aims to analyze the piece carefully and for this purpose proposes to focus on the relationship of blackness with servitude. Without subtracting centrality to the first aspect but adding the contributions involved in accountting for the different emphases, we propose to analyze the description and modes of appearance of blackness in Atar-Gull de Mansilla in the context of other representations of Afro-Argentineanity in Argentine literature, particularly of its relationship with the power of Rosas.
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