El destello de la gratuidad: la III Guerra Mundial de Andi Nachon.
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Escuela de Letras. Facultad de Humanidades y Artes. Universidad Nacional de Rosario
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Este trabajo es una lectura del poemario La III Guerra Mundial de Andi Nachon, donde se reflexiona sobre una escritura que lee la dictadura argentina y escribe sus marcas mostrando la construcción de una subjetividad descentrada, que entiende el poema como destello de una potencia y posibilidad de la alteridad en medio de la catástrofe. Vértigo de la existencia que acontece como memoria fisurada de la infancia y de la animalidad política en que esa infancia debe habitar, siendo la experiencia poética posible gracias a la vivencia del viaje como huida, cuya conmoción, lateral o directa, ingresa en el simulacro para soportar la verdadera existencia y la violencia. País, sur, madre, hermano, hija han sido estallados antes de comenzar el viaje y ese estallido es lo que perdurará.
The following paper is a reading of La III Guerra Mundial by Andy Nachon, a book of poems that reflects upon the Argentinian Dictatorship and writes about its marks, by portraying the construction of an offcenter subjectivity that understands the poem as a glint of power and a possibility for otherness in the middle of disaster. Vertigo of an existence that appears as the fissured memory of childhood and the political animality that childhood must inhabit, the poetic experience seems possible due to the experience of journey as an escape; whose awe, whether lateral or direct, joins the simulacrum to bear true existence and violence. Country, south, mother, brother and daughter have been before starting the journey, which is the only thing that will last.
The following paper is a reading of La III Guerra Mundial by Andy Nachon, a book of poems that reflects upon the Argentinian Dictatorship and writes about its marks, by portraying the construction of an offcenter subjectivity that understands the poem as a glint of power and a possibility for otherness in the middle of disaster. Vertigo of an existence that appears as the fissured memory of childhood and the political animality that childhood must inhabit, the poetic experience seems possible due to the experience of journey as an escape; whose awe, whether lateral or direct, joins the simulacrum to bear true existence and violence. Country, south, mother, brother and daughter have been before starting the journey, which is the only thing that will last.
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