Peñas, canción de protesta y transformación política en Chile (1965- 1973)
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Instituto de Artes, UNICAMP; Centro de Letras e Artes, UNIRIO
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El presente artículo busca estudiar las peñas folclóricas que
florecieron a mediados de la década del 60 en Chile. Estos espacios funcionaron
como centros de sociabilidad en locales donde se presentaban números musicales
en vivo. Con la asistencia de un público numeroso pero sin llegar a ser masivo se
transformaron en sitios donde la discusión política e ideológica también se hizo
presente. A su vez resultaron los primeros ámbitos en dar acogida a un
movimiento musical que alcanzó relevancia mundial: la Nueva Canción Chilena.
El intento es demostrar como las peñas folclóricas fueron un importante centro de
discusión y transformación política con una importante tarea de irradiación
ideológica y cultural a partir de la práctica musical.
This paper makes a study of the folk clubs (called “peñas”) appeared in the middle of the 1960s in Chile. They were spaces that functioned as centers of sociability where musical numbers were presented live. At the same time they were transformed into sites where political and ideological discussion was also present. In turn, these spaces were the first areas to host a musical movement that reached global significance: the New Chilean Song. It will seek to demonstrate how the “peñas” were an important focus of discussion and political transformation with an important task of ideological and cultural irradiation from musical practice.
This paper makes a study of the folk clubs (called “peñas”) appeared in the middle of the 1960s in Chile. They were spaces that functioned as centers of sociability where musical numbers were presented live. At the same time they were transformed into sites where political and ideological discussion was also present. In turn, these spaces were the first areas to host a musical movement that reached global significance: the New Chilean Song. It will seek to demonstrate how the “peñas” were an important focus of discussion and political transformation with an important task of ideological and cultural irradiation from musical practice.