Distensión, risa e ideología en el drama satírico ático.
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Escuela de Letras. Facultad de Humanidades y Artes. Universidad Nacional de Rosario
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El Drama Satírico es un (sub-)
género teatral que se caracteriza por
“invertir” el mensaje y las emociones de la
Tragedia, forma teatral a la que se halla
asociada no solo por compartir la
Festividad-ocasión de representación, sino
un modo de constituir una trama, una
estructura y la presencia de los personajes
más elevados del mito que, ahora,
interactúan con sátiros, monstruos y otros
seres desconocidos en la Tragedia. Este
trabajo se propone analizar las formas de
“inversión” de la Tragedia y los modos de
la “risa” en el Drama Satírico a partir de sus
elementos formales, para proponer que, si
bien el componente político no es
dominante en este (sub-) género, es posible
detectar espacios de temas políticos
determinados por el contexto de
representación y por proponer un mensaje
invirtiendo el de la Tragedia que,
precisamente, es eminentemente político.
Nuestra conclusión afirma que el Drama
Satírico puede invertir el discurso trágico
mostrando el carácter ficcional de la
Tragedia y desactivando las emociones
típicamente trágicas para sustituirlas por
una nueva, la risa hilarante. En este
contexto, el cambio de respuesta emotiva
propicia una visión política distinta y
menguada pero no completamente ausente.
Satyr Drama is a theatrical (sub-) genre characterized by "inverting" the message and emotions of Tragedy, poetic form to which is associated not only sharing Festive (performative) occasion, but the constitution of the frame structure and the presence of the highest figures of myth, that now interact with satyrs, monsters and characters unknown in Tragedy. This paper aims to discuss the process of "inversion" of tragic message and the insertion of "laughter" in Satirical Drama from its formal elements, to propose that while the political component is not dominant in this (sub -) genre, it is possible to detect areas of political discourse determined mainly by the context of representation and for proposing a message of reversing the Tragedy that is eminently political. The offered conclusion is Satyr Drama can reverse the tragic discourse showing the fictional character of Tragedy and, form there, deactivating typically tragic emotions and replacing them by a new one, hilarious laughter. In this context, changing emotional response favors a different and diminished, but not completely absent, political vision.
Satyr Drama is a theatrical (sub-) genre characterized by "inverting" the message and emotions of Tragedy, poetic form to which is associated not only sharing Festive (performative) occasion, but the constitution of the frame structure and the presence of the highest figures of myth, that now interact with satyrs, monsters and characters unknown in Tragedy. This paper aims to discuss the process of "inversion" of tragic message and the insertion of "laughter" in Satirical Drama from its formal elements, to propose that while the political component is not dominant in this (sub -) genre, it is possible to detect areas of political discourse determined mainly by the context of representation and for proposing a message of reversing the Tragedy that is eminently political. The offered conclusion is Satyr Drama can reverse the tragic discourse showing the fictional character of Tragedy and, form there, deactivating typically tragic emotions and replacing them by a new one, hilarious laughter. In this context, changing emotional response favors a different and diminished, but not completely absent, political vision.
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