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Instituto de Historia del Arte Argentino y Americano
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En las primeras décadas del siglo xxi un gran número
de museos comenzaron a coleccionar y a mostrar
producciones contemporáneas, algunas surgieron
de museos tradicionales que empezaron a adquirir
o a exhibir esta clase de propuestas plásticas. Este
es el caso del primer museo contemporáneo de
la Argentina, el Museo de Arte Contemporáneo
de Bahía Blanca, que, desde su origen, tiene una
relación muy especial con el Museo de Bellas Artes
de dicha ciudad. Este vínculo es un fenómeno
que distingue a la historia de los museos de arte
del país. A veinte años de la inauguración de este
establecimiento, reconstruiremos algunos pasajes
de su historia para comprobar el cambio que se
produce entre el museo contemporáneo- y el
museo moderno a lo largo de su historia. Para ello,
trabajamos con las diferentes gestiones que se
sucedieron y con las políticas llevadas adelante con
relación a la manera de postular a ambas sedes.
In the first decades of the 21st century a large number of museums started to collect and exhibit contemporary productions. Many of them came from traditional museums that began to acquire or exhibit these types of plastic arts. This is the case of the first contemporary museum in Argentina, the Museum of Contemporary Art of Bahia Blanca. From its origin it has had a special relationship with the Fine Arts Museum of Bahia Blanca. This bond becomes a phenomenon that distinguishes the history of art museums in the country. Twenty years after the inauguration of this establishment, we reconstruct some passages of its history to corroborate the change that takes place between both museums across their history. To do so, we worked on the different managements that followed and we dealt with the policies carried out to apply for both museums. Thus, this institution becomes an illustrative example of the paradoxes and contradictions that present an international tendency from a given context.
In the first decades of the 21st century a large number of museums started to collect and exhibit contemporary productions. Many of them came from traditional museums that began to acquire or exhibit these types of plastic arts. This is the case of the first contemporary museum in Argentina, the Museum of Contemporary Art of Bahia Blanca. From its origin it has had a special relationship with the Fine Arts Museum of Bahia Blanca. This bond becomes a phenomenon that distinguishes the history of art museums in the country. Twenty years after the inauguration of this establishment, we reconstruct some passages of its history to corroborate the change that takes place between both museums across their history. To do so, we worked on the different managements that followed and we dealt with the policies carried out to apply for both museums. Thus, this institution becomes an illustrative example of the paradoxes and contradictions that present an international tendency from a given context.
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