Perbellini, Melina2024-12-192024-12-192024-12https://hdl.handle.net/2133/28498El proceso de reconstrucción de la memoria colectiva es un fenómeno complejo y dinámico que no se limita a una simple transmisión de la información, sino en una cadena de significaciones que posibilitan la vida en comunidad. Latinoamérica cuenta con una larga trayectoria en las narrativas de no ficción, especialmente con el uso del género documental, compartiendo en la región especificidades y continuidades a la hora de construir la memoria colectiva. Es en este marco, de múltiples fuentes y formatos en donde reside la historia, donde cobra relevancia la utilización tanto el documental multimedia interactivo como el documental transmedia como herramientas para la reconstrucción de la memoria colectiva. Es por medio de diversas plataformas y soportes, donde las múltiples fuentes donde se nutre la memoria pueden circular.The process of reconstruction of collective memory is a complex and dynamic phenomenon that is not limited to a simple transmission of information, involving a chain of meanings that enable community life. Latin America has a long history in non-fiction narratives, especially through the use of documentary genre, sharing specificities and continuities in the region when it comes to building collective memory. It is within this framework of multiple sources and formats where history resides, and where the use of both interactive multimedia documentaries and transmedia documentaries becomes relevant as tools for reconstructing collective memory. Through various platforms and mediums, the multiple sources feeding into memory can circulate effectively.esopenAccessNarrativas de no ficciónDocumental InteractivoDocumental TransmediaMemoria ColectivaAmérica LatinatesisAutora y Facultad de Ciencia Política y Relaciones InternacionalesAttribution-NonCommercial-ShareAlike 4.0 International You are free to: Share — copy and redistribute the material in any medium or format Adapt — remix, transform, and build upon the material The licensor cannot revoke these freedoms as long as you follow the license terms. Under the following terms: Attribution — You must give appropriate credit , provide a link to the license, and indicate if changes were made . You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use. NonCommercial — You may not use the material for commercial purposes . ShareAlike — If you remix, transform, or build upon the material, you must distribute your contributions under the same license as the original. No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.