La Cita como suspenso: el Autor-Dios y la Nada
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Fecha
2015
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UNR Editora
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Descripción
Las sociedades modernas están regidas por la idea de Autor,
que no es otra cosa que el propio sujeto jurídico, abstracto
y autosuficiente que se constituye como individuo canónico
de la época. El Autor-Dios vuelve a las obras entes antropomórficos,
organismos jerárquicamente delimitados que
le pertenecen mediante su firma. Cada obra convive con el
suspenso de sus signos muertos, que son resucitados por
esos otros, aquellos que anidarán el nuevo porvenir. Este
ensayo intenta rescatar el pensamiento de Leibniz y Tarde
bajo la concepción de amistad política de Derrida: el origen
plural del Ser como una Nada constitutiva que se expresa en
el arte de citar. La amistad se erige como un compromiso que
sobrevive a la muerte; mediante la escritura queremos dejar
algo para los que vendrán; mediante la cita, trascendemos
el umbral de la muerte para darle vida a los signos muertos,
al legado de aquellos que nos precedieron. Convivimos con
una ajenidad fundante. La cita es virus, infección: se interna
en la carne para cambiar por completo nuestro sistema de
pensamiento. La cita es también profanación: extraemos
símbolos del orden de lo sagrado para volverlos al orden de
lo real e imprimirles nuestro carácter singular.
Modern societies are governed by the idea of an Author, which is a variable of the legal, abstract and self-sufficient subject that is established as the canonic individual of the era. The God-Auhor turns the works in anthropomorphic entities, delimited organisms that belongs to him by his sign. Each work lives in suspense with its dead signs, which will be resurrected by those who will construct the future. This essay is about the thoughts of Leibniz and Tarde about the Derrida´s politics of friendship: the plural origin of Being as Nothingness that expresses the art of quoting. Friendship is a compromise that survives death; the writing lefts its words for those about to come; quoting transcend the threshold of death in order to give life back to dead signs, the legacy of those who precede us. We live with strangeness. Quoting is a virus, and infection: it gets trough the flesh to change our thoughts systems. Quoting is also profanation: we extract sacred symbols and print them our own singularity
Modern societies are governed by the idea of an Author, which is a variable of the legal, abstract and self-sufficient subject that is established as the canonic individual of the era. The God-Auhor turns the works in anthropomorphic entities, delimited organisms that belongs to him by his sign. Each work lives in suspense with its dead signs, which will be resurrected by those who will construct the future. This essay is about the thoughts of Leibniz and Tarde about the Derrida´s politics of friendship: the plural origin of Being as Nothingness that expresses the art of quoting. Friendship is a compromise that survives death; the writing lefts its words for those about to come; quoting transcend the threshold of death in order to give life back to dead signs, the legacy of those who precede us. We live with strangeness. Quoting is a virus, and infection: it gets trough the flesh to change our thoughts systems. Quoting is also profanation: we extract sacred symbols and print them our own singularity
Palabras clave
Autores, Derrida, Jacques, Tarde, Gabriel, Leibniz, Gottfried, Authors, Neo-monadología, Neo-nomadology