La esfera de lo femenino. La introducción de detectives mujeres en Tuya, de Claudia Piñeiro
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2022-01
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UNR Editora
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Descripción
En este artículo nos proponemos aplicar una categoría propia, la esfera de lo femenino. Esta noción hace referencia a la modelización de un mundo creado a partir de la escritura de mujeres con perspectiva de género, en la que se construyen y deconstruyen, aceptan y rechazan modelos de mujer y, en consecuencia, modos de ser, de estar y de devenir en la sociedad. Para ello abordaremos la escritura de la argentina Claudia Piñeiro, en particular de Tuya (2005), que presenta a una mujer detective. Centraremos la atención en el establecimiento de interrelaciones entre cuatro aspectos complejos del orden cultural: el género policial literario, su contexto actual de producción, los estudios de género y la perspectiva semiótica de Iuri Lotman.
The purpose of this article is to apply our own category, the female sphere. This notion refers to the modelling of a world based on the writing by women who have a gender perspective by which they construct and deconstruct themselves, they accept and reject those female models, and consequently, the way of being and becoming in society. In that sense, we will analyze the work of Argentinean writer Claudia Piñeiro; particularly, Tuya (2005) which introduces a woman detective. We will address the interrelationships between four complex cultural aspects: the detective genre, its current context of production, gender studies, and Iuri Lotman’s semiotic perspective.
The purpose of this article is to apply our own category, the female sphere. This notion refers to the modelling of a world based on the writing by women who have a gender perspective by which they construct and deconstruct themselves, they accept and reject those female models, and consequently, the way of being and becoming in society. In that sense, we will analyze the work of Argentinean writer Claudia Piñeiro; particularly, Tuya (2005) which introduces a woman detective. We will address the interrelationships between four complex cultural aspects: the detective genre, its current context of production, gender studies, and Iuri Lotman’s semiotic perspective.
Palabras clave
Mujeres, Género, Literatura, Claudia Piñeiro, Iuri Lotman, Women, Gender