El anarquista de salón. Una lectura sobre la política de Roland Barthes
Fecha
2019-09
Autores
Título de la revista
ISSN de la revista
Título del volumen
Editor
Universidad Nacional de Rosario. Facultad de Humanidades y Artes. Centro de Estudios de Teoría y Crítica Literaria
Resumen
Descripción
En cada ensayo de Roland Barthes puede encontrarse la confluencia de dos movimientos: por un lado,la afirmación del potencial crítico del Texto, la Escritura y la Literatura; y por otro,una cierta retracción, una desconfianza, un límite para pensar la política. A diferencia de otros teóricos de Tel Quel, como Kristeva, Ricardou o Sollers, en los que la revuelta, la utopía y la revolución aparecen con una insistencia casi enfática, en Barthes dichos tópicos aparecen denegados o relegados del discurso crítico. Interesa por lo tanto rastrear los matices de la posición barthesiana, interrogar su particular “anarquismo” (tal como él se define en La lección inaugural), profundizar el modo en elque estética y política se enlazan en su teoría, y analizar un ethosen el quetanto Proust comoBrecht parecen convivir en el espacio siempre ambiguo e indeterminado del texto.
In each Roland Barthes’ essaywefound the confluence of two movements: on the one hand, the affirmation of the critical potential of the Text, Writing and Literature; and on the other hand, a certain retraction, distrust or limit to think politics. Unlikeother Tel Quel theoreticians, such asKristeva, Ricardou or Sollers, in which the revolt, the utopia and the revolution topics appears with emphatic insistence, in Barthes these are denied or relegated from the critical discourse. We are therefore interested in tracingthe nuances of the barthesian position, interrogatinghis particular "anarchism" (as he defines himselfin The Inaugural Lesson), indeepening the way in which aesthetics and politics are linked in his theory, and analyzingan ethosin which Proust and Brecht seem to coexist in the always ambiguous and indeterminate space of the text.
In each Roland Barthes’ essaywefound the confluence of two movements: on the one hand, the affirmation of the critical potential of the Text, Writing and Literature; and on the other hand, a certain retraction, distrust or limit to think politics. Unlikeother Tel Quel theoreticians, such asKristeva, Ricardou or Sollers, in which the revolt, the utopia and the revolution topics appears with emphatic insistence, in Barthes these are denied or relegated from the critical discourse. We are therefore interested in tracingthe nuances of the barthesian position, interrogatinghis particular "anarchism" (as he defines himselfin The Inaugural Lesson), indeepening the way in which aesthetics and politics are linked in his theory, and analyzingan ethosin which Proust and Brecht seem to coexist in the always ambiguous and indeterminate space of the text.
Palabras clave
Barthes, Política, Ideología, Tel Quel, Anarquismo, Politics, Ideology