Nabokov y un recuerdo de infancia.
Fecha
2018
Autores
Título de la revista
ISSN de la revista
Título del volumen
Editor
Escuela de Letras. Facultad de Humanidades y Artes. Universidad Nacional de Rosario
Resumen
Descripción
El presente trabajo se
propone indagar los alcances del
concepto de infancia como experiencia
y formación en la literatura moderna.
Para ello se analizan las relaciones
existentes entre formación sensible y
forma artística de autopercepción en
las relaciones infancia-mundo, infanciaintimidad. El trabajo se centrar en el
análisis de las escenas-encubridoras del
discurso autobiográfico montado por
Nabokov en Habla, memoria, lo cual
posibilita pensar una subjetividad de la
infancia que, de algún modo, es un
leguaje de la patria recuperada como
Baudelaire ya en 1850 lo pensara
respecto a una moral del juguete, y que
Agamben nombrara como “historia
mayor”.
The present work intends to investigate the scope of the concept of childhood as experience and training in modern literature. To this end, the relationships between sensitive formation and artistic self-perception in childhood-world relationships, childhood-intimacy, are analyzed. The work focuses on the analysis of the scenes-concealing of the autobiographical discourse mounted by Nabokov in Speak, memory, which makes it possible to think of a subjectivity of childhood that, in a way, is a language of the country recovered as Baudelaire as early as 1850 he will think about a toy moral, and that Agamben will name it as a “major story”.
The present work intends to investigate the scope of the concept of childhood as experience and training in modern literature. To this end, the relationships between sensitive formation and artistic self-perception in childhood-world relationships, childhood-intimacy, are analyzed. The work focuses on the analysis of the scenes-concealing of the autobiographical discourse mounted by Nabokov in Speak, memory, which makes it possible to think of a subjectivity of childhood that, in a way, is a language of the country recovered as Baudelaire as early as 1850 he will think about a toy moral, and that Agamben will name it as a “major story”.
Palabras clave
Nabokov, Infancia, Experiencia, Escritura, Intimidad, Childhood, Experience